Out of Character |
The writers and stars of Showtime's Queer As Folk talk to
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"Put your legs up, over your shoulders. That's it," Brian breathlessly instructs Justin, as they
lay naked in bed. Justin stops him. "Wait. In school we had this lecture about safe
sex." Brian replies confidently, "And now we're going to have a demonstration." Brian
reaches for a condom, tears it open with his mouth, and gives it to Justin. "Put it on me.
Go on. Slip it on..."
This titillating scene aired in the premiere episode of Showtime's controversial series, Queer As Folk, which debuted in December 2000. Though early indications—like the fleeting moment described above—had critics worried that QAF's story about a group of gay and lesbian friends and their families in Pittsburgh would only give lip service to HIV/AIDS, the show has consistently developed HIV storylines. This is no Sex and the City where HIV is talked about once by the sexually active adults and then never heard about again. Cable Positive—a national nonprofit organization dedicated to promoting AIDS awareness through the communications industry–recently handed Queer As Folk one of its Positively Outstanding Programming (POP) Awards for 2001, and name QAF's home, Showtime, POP Network of the Year. "Showtime's Queer As Folk was honored at Cable Positive's First Annual POP Awards for its storylines concerning AIDS and the gay community," said Steve Villano, Cable Positive's Executive Director. "With the increasing number of HIV infections amoung young gay men, it is imperative that quality cable television programming such as Showtime's Queer As Folk is recognized." But Queer As Folk's first season was not a fluke. This season—which began this past January—saw Michael and Ted going to a "BB" party, thinking they will find bodybuilders. Instead they find barebackers and promptly leave. In another episode, Emmett packs up this friend Godiva's hospice room after she dies from an AIDS-related illness. Later, during a pride celebration, Emmett notes, "Look at them. Partying. Don't they know Godiva's dead?" Vic asks, "Why should these pups give a shit about some old queen who died of AIDS?" Countering Emmett's shock, Vic adds, "I'm allowed to say that. I'm an old queen. Who has AIDS."
In the early episodes of the second seson, after Ben Bruckner's introduction, Michael learns just how difficult it can be to deal with a partner's HIV status. "Michael can't do it," explains Sparks, a comic and former host of E!'s Talk Soup. "He's scared, and not because it's his natural reaction but because everyone around him keeps reinforcing his fears. Michael tends to be a follower. This is one of the moments in his life when he grows up and realizes that he loves this person–How safe can you truly be when you're alive on this planet? Are you going to deny that from yourself for your whole life? As George Carlin might say: 'What do you wanna do? Play with your dick and eat at Wendy's for the rest of your life?'–that's kind of Michael's motto."
Jack Wetherall has experienced healing in a different manner. "I've been on the frontlines as a caregiver. Living in New York and being part of the theater commuity, so many of my friends were stricken with HIV very early on. I really went to the wire with a close friend of mine and, remarkably, he has come back by taking the cocktail. I gained a lot of experience through that relationship. He is there for me now in terms of research and advice."
Gless may sound a bit aggressive, but her passion comes from a place of caring. "I've lost several freinds to AIDS. It's hard to go on but you just do. What makes me feel better is knowing that I was there when they needed me. It makes the hurt less. Maybe I made the crossing easier?" she solemnly asks. During our conversation, Sharon expresses a burning desire to find time in her hectic schedule to work with an ASO. "It's something that I want to do. This is not just lip service. I want to get involved on a volunteer hasis with people who don't know me. And this is not me just jerking off. I can't tell you how strong the pull is. I feel ashamed saying this to you because I haven't done it." Recently, she was approached by an AIDS organization in Miami, where she resides with her husband, producer Barry Rosenzweig, and is seriously considering accepting its offer. "I want to do this like a regular person," she says modestly, quickly adding. "I sound like a jerk, don't I?" To bring life to her character on QAF, Gless says she plays Debbie from the fifth chakra—the heart chakra. She visited traditional coffee shops and diners to watch the old-time waitresses in action. ¯"I didn't write Debbie so I can't take the bow. Sometimes I think she is just too wonderful and maybe not real, but I can't tell you how many men come up to me and thank me, or ask for hugs. One man came up to me after an awards ceremony and asked if I would hug him. I said, Sure. I gave him a hug and he fell apart. He started sobbing and I just held on till he stopped. And as I was holding him, I just kept thinking, the damage, the damage. That's all I could think about. So, maybe Debbie does make a difference," she says with determination, "So by God I'll just keep playing her as long as it keeps making a difference." And Jack Wetherall, who starred in The Elephant Man on Broadway and is an accomplished Shakespearan actor, feels a special closeness to his QAF character, as well. "There are a lot of guys who are following Uncle Vic because he represents their story. So I feel a huge responsibilty to be accurate and also to move out of a stagnant place," he says. "Expecially since there are a lot of new issues surrounding people with HIV."
Despite their professional success, Cowen and Lipman experienced a profound heartbreak at this time. Five minutes before they were presented with an emmy for An Early Frost, they learned that a dear friend of theirs had died of AIDS. "It was a very bittersweet evening because our friends were dying from AIDS, and here we were winning an award for writing about it," says Daniel. Adds Ron, "It was very uncomfortable celebrating something that is based in such tragedy." For Cowen and Lipman, An Early Frost was not their only venture into writing an AIDS storyline. Their nineties' hit TV show, Sisters, featured an episode where a straight character who is a former drug addict contracts HIV, develops KS, and dies. So what motivated Daniel and Ron to create another HIV-positive character on QAF? "We felt it was time to bring a relationship onto the show that reflected a very prevalent situation within the gay community," notes Ron. "What happens when a negative and positive person get together, and how do you deal with that issue? Some of our friends deal with that situation in their personal lives and we felt we should reflect that on the show. It's part of gay reality and that's what we're writing about on the show." Daniel points out: "Uncle Vic is the first generation AIDS survivor, a man of his age. We're bringing on a character who's twenty years younger than Uncle Vic. The new character is a second-generation gay man who's dealing with HIV. That's a different set of circumstances. Ben Brucker didn't live through all the same things that Vic has lived through: losing a large majority of friends, dealing with the political situation of the Reagan era, and dealing with a situation of no drugs, no treatments, and no help. Vic's situation is quite different than Ben's. Ben is living in a time when there is hope, and AIDS is not the automatic death sentence that it was for a lot of people in the seventies and eighties." Wetherall sums up: "AIDS is what I would call a terrorist issue in this country. I believe that when we saw the Trade towers go down, people in the gay community had been experiencing towers collapsing for years, with a rather large segment of society turning their backs on the gay community and the people who were sick. People have spoken out and actually directed hatred not only toward gay people, but also specifically to people who were HIV-positive. And I believe that in confronting terrorism in the world, AIDS is one of the issues that we have to include in that struggle." Whether on-screen or behind-the-scenes, the people involved in Queer As Folk are committed to bringing HIV/AIDS into public consciousness and looking toward that day when the season of AIDS ends once and for all. |